Social Commentary
While decrying written text accompanying visual imagery, I find a good story has appeal. I like to let the eye lead the narrative.
Homelessness (2004)
graphite
43" H x 30" W
Optimism (2003)
graphite frottage, acrylic
60" H x 30" W
Performance (2004)
charcoal, acrylic, graphite
50" H x 40" W
Father Images (1986)
acrylic collage
36" H x 24" W
Lineage (2005)
charcoal, acrylic
32" H x 49" W
Dilemma (1998)
sepia ink, gesso, acrylic paper collage
50" H x 108" W
Security (2003)
charcoal, watercolor, graphite
95" H x 30" W
Urban Memorial (2003)
charcoal, acrylic, hand embossing
79" H x 38" W
Winter (2002)
charcoal, pastel, graphite
55" H x 50" W
A Troubled Life (2005)
mixed media on handmade paper
48" H x 22" W
Spent Mums (2012-13)
29 1/2" H x 41" W
Youth (2004)
pastel, graphite, acrylic
43" H x 50" W
Pittsburgh Passage II (2012)
mixed media
30" H x 50" W
Communications (1993)
conte' & acrylic
52" H x 45" W
At the MET – Disorientation (1999)
charcoal
25" H x 19" W
Sport'n (2012)
pastel, graphite
30" H x 40" W
The Father's Shadow (2001)
wall drawing - charcoal, paper collage
156" H x 120" W
Midwest Origins (1986)
acrylic collage
36" H x 24" W
A Walk in the Mountains with A.B. (1982)
sepia ink, gesso, acrylic collage
84" H x 100" W
Landparcel (1982)
sepia ink, gesso, acrylic paper collage
45" H x 80" W
At the MET - Guardians (1999)
charcoal
30" H x 22" W
Crash (1994)
charcoal
20" H x 20" W