Traditional Modes
Styles, formats, compositional devices – though bound to history – continue to provide a language for visual communication. In visual art, philosophical speculation needs embodiment.
Pittsburgh View II (2013)
watercolor, pastel, graphite
48" H x 30 1/2" W
Das Thal (The Valley) after R. Strauss (2008)
graphite & acrylic
57" H x 57" W
Crisis (2004)
graphite, charcoal, acrylic
60" H x 105" W
Don Dugal and Joe Green consider Rosa Ponselle's 1919 recording from La Forza del Destino (2002)
charcoal
30" H x 22" W
Screen Porch A (1993)
conte'
30" H x 22" W
Landscape After Hobbema (1972)
acrylic on canvas
84" H x 120" W
Romantic Landscape 1 (1973)
sepia ink
24" H x 38" W
Obsession (2006)
pastel, charcoal, acrylic
35" H x 29" W
Shaman (2010)
watercolor, acrylic, pastel
28" H x 38" W
Far from NYC (1975)
acrylic on canvas
60" H x 60" W x 4" D
Retirement (2003)
mixed drawing media on handmade paper
22 1/2" H x 53" W
Urban Concerto (2013)
mixed media
73" H x 30" W
Thermometer (2014)
graphite, charcoal
38" H x 20" W
Companion (1990)
conte'
48" H x 62" W
Bougainvillea - Negative over Positive (2010)
watercolor, acrylic
30 1/2" H x 49" W
Bougainvillea - Positive over Negative (2010)
watercolor, acrylic
30 1/2" H x 49" W
Bougainvillea Universe (2008)
pastel, acrylic, watercolor
40" H x 60" W
Sleep- Archives (1997)
charcoal
40" H x 26" W
Co-Incidence (1977)
sepia ink
40" H x 25" W
Landscape after Moran's Autumn near Peconic Bay (1972)
charcoal
22" H x 30" W
Drawing 1977 (1977)
sepia ink on buff paper
113" H x 113" W
Sleep: Transcendence (1995)
charcoal
70" H x 38" W
Lunar Halo (1972)
acrylic on canvas
84" H x 72" W